Graduate Paper
 

A Meeting of Ananda Marga Spirituality
With Gestalt Psycho-therapy
Dada Pranakrsnananda


(This presentation has two parts—one written and one recorded. It is a presentation of a possible synthesis of spirituality and Gestalt psycho-therapy.)

 

This paper is presented to demonstrate the similarity between the ideas of Gestalt psycho-therapy and the approach of Ananda Marga spirituality in practice. I suggest that elements of Gestalt, phenomenology and the awareness cycle (here and now), dialogue and relationship (‘I-Thou’) and experiment (what and how), enhance and compliment the spiritual practices of Ananda Marga.

 

The method of investigation was a practical experiment conducted with the help of a group of students studying Gestalt psycho-therapy in Australia. It was recorded on camera. 224 participants from Asia, Europe and U.S.A. attended similar seminars during the years 2007 and 2008. Some of the USA participants were also interviewed on camera.

 

In June 1990 the spiritual master of Ananda Marga said,"I exist, my Lord exists, and my search for His glamour, my search for His grandeur, is never-ending. I am moving unto Him, moving along a never-ending path." Here is ‘self as process’ in the context of Field Theory of Gestalt, the process of becoming, evolving, changing (Yontef, 1993 p314). He further said,"This search for the Great by the little is called mysticism". From a Field perspective, everything that exists is in a web of relationship (Yontef, 1993 p297). And he says still further,"The fundamental point of spirituality depends on this mysticism. And when this mysticism, this outward existence of mysticism, coincides with the inner spirit of mysticism, the goal is reached: the unit becomes Cosmic." What a beautiful description of the completed spiritual Gestalt, the ultimate state of authenticity. He went on to say,"And for the attainment of this status we have come here. We have come to this world, so our lives are not meaningless. Our everything is meaningful; and by our knowledge, by our action and by our sincerity, we will be increasing our meaningfulness from unit to Infinite". My awareness, my subjective meaning in the field and my relationship with the field is ever expanding and supported by the field. Gestalt psycho-therapy and Ananda Marga spiritual practice have some ideas in common.

 

The Thirst for Limitlessness—Dharma
The Search for the Authentic Self

At the foundation or root of Ananda Marga spiritual practices is the concept of dharma. In the spiritual scripture of Ananda Marga,"Ananda Sutram", there is an aphorism that says,"Brhades?an?a?pran?idha?nam? ca dharmah", that is, to long for and run after the Great is dharma. From the Gestalt perspective, this is my life’s effort to achieve a ‘better Gestalt’ or pragnanz (Yontef, 1993 p300). Dharma means that knowingly or unknowingly, human beings are yearning for limitlessness. Buber, the author of"I-Thou", expresses a similar idea. "The development of the soul in the child is inextricably bound up with that of the longing for the Thou, with the satisfaction and the disappointment of this longing, with the game of his experiments and the tragic seriousness of his perplexity" (Buber, 1987 p28).

 

My life since childhood has been a spiritual path, a quest to quench my thirst for limitlessness. Through my life experiments and the earnestness of my quest, I have been in relationship with Thou. Gestalt and Ananda Marga have helped me to pursue my growing edge, the challenge of expansion. Gestalt has taught me awareness. Ananda Marga facilitated my effort through sadhana, commonly known as meditation. When I make effort to attain the Great with awareness, I am expressing my dharma. The effort involved is called dharma sa?dhana? or the practice of dharma. Ananda Marga spiritual practices are called sadhana which means"the effort to achieve completion, wholeness". Here the concept of awareness is of mutual concern for Ananda Marga and Gestalt. "Awareness is the process of being in a vigilant contact with the most important event in the individual environment with full sensorimotor, emotional, cognitive and energetic support" Yontef, 1979b: 29).

 

Mantra—the phenomenon, the concept and the relationship
Here and Now

Sadhana or meditation is done with the help of mantra. "Mantra means ‘that collection of sounds the meditation on which leads to liberation’ – Manana?t ta?rayet yastu sah mantrah parikiirttitah. ‘Man’ plus the root verb ‘trae’ plus the suffix ‘d?a’ make up the word mantra" (Anandamurti, 1970). Mantra is a Sanskrit word. The first syllable ‘man’ means mind. The second syllable ‘tra’ means to liberate by constant repetition.

 

Mantra has three components which are demonstrated in the video. The first is acoustic. It is made up of sounds. Experiencing sound in my body is phenomenological. From a Gestalt perspective, it is experiential,"what is immediately obvious to the senses" (Joyce, 2004 p17). As I sing the mantra my body responds to the sound. I experience resonance within my body. Each person singing the mantra may have a different experience of the mantra resonating in a particular part or the whole of his or her body. It is subjectively experienced rather than directed or intended. As mantra is the vehicle for the process in this workshop, each participant needs to understand how to use it. Here is Gestalt phenomenology in practice as the participant has objective somatic awareness of the mantra. Therefore, individuals were asked to sing the mantra with awareness of how and where the mantra was resonating in their bodies.

 

In the second component, as I sing the mantra I hold a concept of divinity within my mind. For some divinity may be a presence or a person, male or female, energy, light, etc. From the Gestalt perspective, divinity is similar to the concept of ‘Field Theory’ as everything is of the field, a unitary whole, a systematic web of relationships (Yontef, 1993 p. 297). During the workshop I acknowledge each person’s experience of divinity based on their own cultural conditioning and personal history/context, which is a field perspective as well. There is no right or wrong concept of divinity in this process. Meditation is my awareness of the ‘Eternal Thou’ observing my ‘I-ness’ observing the ‘Eternal Thou’. This is the field theory concept of everything affecting everything else. My experience is that my concepts change over time with every new experience; indeed, mantra will effect that change (Anandamurti, 1971). So the participants in the video were asked to bring their own concept of divinity as they sang the mantra. This open concept of divinity is the mantra’s second dimension.

 

The third dimension is the relational. The mantra represents the relationship between the individual and their concept of divinity. The mantra used in the workshop is Baba Nam Kevalam. Kevalam means only or exclusively. Nam means name. And Baba means nearest and dearest. So the mantra means, ‘I exclusively, only, direct all my physical, mental and spiritual energy to my nearest and dearest One’ (Anandamurti, 1971). Baba is a word which represents the relationship between ‘I’ and ‘Thou’, what Buber calls the ‘Eternal Thou’. The relationship embodied in the mantra is nicely expressed in this quote from Martin Buber,"Between you and it there is mutual giving: you say Thou to it and give yourself to it, it says Thou to you and gives itself to you" (Buber, 1987 p33). I give myself to Baba and Baba gives Himself to me. This mutual giving gives me a special thrill, a joy that fills my heart and mind and an ever abiding peace which becomes my inner support as I meet life’s challenges.

 

Therefore, in practice these three components of the use of mantra are brought together. One, the mantra resonates in one’s body as one sings. Two, the person is aware of the presence of divinity or higher power in their mind. Three, they focus on their relationship with the divine. This is called bhakti or divine love in Ananda Marga. In Gestalt psycho-therapy this is the contact boundary, ‘the between’, the ‘I and Thou’ as expressed by Buber (Buber 1987, p.15). And as a result meditation builds greater awareness which is the primary goal of Gestalt psycho-therapy as well. Singing the mantra during the workshop, the participants were asked to hold within their minds their special relationship with their own concept of divinity while the mantra resonated in their bodies.

 

The Relational Stages of Absorption in Thou
I-Thou

Meditation is the process of bringing my entire being into ‘I-ness’ and relating my ‘I-ness’ to Divinity, ‘Thou’, through mantra. The mantra acts as a bridge between ‘I’ and ‘Thou’. As I repeat the mantra, being aware of its resonance, being with my own concept of divinity in the present, here and now, and focusing on the mutual giving between us, my mind is liberated from ‘It-ness’ and becomes ‘Thou’. As I meditate using the mantra, I may experience various degrees of relationship. As my relationship becomes expanded, my new concept of divinity automatically facilitates a still deeper relationship. Parlett quoting Hodges writes,"Contact organizes the field and the shared reality, the relationship, begins to take shape" (Partlett, 1991 p76).

 

Anandamurti discusses stages of relationship in his article"Stages of Samadhi" (stages of absorption) which he gave in Philippines in 1969. These relational states may be explained from the point of view of the awareness cycle of Gestalt. In the first phase I may think that divinity is far away or is simply a concept. Divinity is in the ground, out of awareness. In the next stage, I am aware that actually divinity exists and is present here and now with me wherever I am. Divinity becomes a clear figure. In the third stage I am in relationship with divinity. My energy is mobilized. Divinity is not just present; divinity is interacting with me and I am interacting with divinity. I experience divinity in relationship. In the next phase divinity is holding me. I experience the divine touch, the embrace. It is the contact stage. Next I identify with divinity. I experience myself as divinity. Divinity is integrated, embodied. We seem to be twins. I am quenched, satisfied. And in the final stage I become divinity. I am one. Yoga occurs, my unification with the Cosmic Entity, the Field. There is no duality. ‘I’ is ‘Thou’ or ‘Thou’ is ‘I’, perhaps the ultimate Gestalt, the completed spiritual Gestalt, the ultimate state of authenticity, oneness.

 

These states are temporary. However the final state may be permanent. The goal of Yoga is to be in the final state of completion or oneness with divinity permanently. And that permanent state of completion is only available through grace. Anandamurti and Buber have a similar concept,"the ‘Thou’ meets me through grace" (Buber, 1987 p11)."One can attain the supreme stance by the blessings of the exalted ones, as well as a wee bit of Macrocosmic grace" (Anandamurti, 1989). Grace is defined in the Webster’s dictionary as"unmerited divine assistance given humans for their regeneration or sanctification" (merriam-webster.com).

 

A Special Quality

However there is another dimension of the mantra which has nothing to do with my singing, my conceptualizing or my relating. According to Ananda Marga,"when a Maha?kaola (one who spiritually awakens others) chooses a word or words, fills them with the Cosmic vibration and makes that vibrational flow move in perfect rhythm with the Macrocosmic vitality, then that mantra is called a siddha mantra [perfected mantra]" (Anandamurti, 1979). Followers of Ananda Marga have been taught that the mantra contains the spiritual vitality of a person who has actually completed the journey, a yogi, one who has attained the state of yoga."Yoga in the spiritual sphere is unification of the unit entity with the Cosmic Entity" (Anandamurti, 1979). This person is perpetually in the state of union, yoga, with Thou, rather has become Thou. As a living being who wants to pass on this legacy to others, the spiritual master infuses this state of being, oneness with ‘Thou’, in the mantra. So the mantra has a life of its own. The mantra has the power, the capacity to bring me to that state of oneness with the Divine. As I direct and focus all my energies through the mantra, I will ultimately reach the state of yoga. Followers of Ananda Marga are encouraged to experience that this is true for them through their own personal practice and experience.

 

Samskara—Unfinished Business—Uncompleted Gestalten

What then prevents contact, the experience of the divine touch, the embrace? What blocks the experience of ‘the between’ I and Thou?"Unfinished business represents the encoding in memory of the unsuccessful resolution of some kind of emotionally based need/goal-oriented interaction with the environment" (Greenberg, Rice & Elliot, p. 241). Meditation brings unfinished business into awareness so that I can complete my experience, complete the Gestalt, the unfinished business.

 

For example, let us go to the supermarket with a parent and child. As the parent pushes the food cart down the isles, suddenly parent and child are in the ‘isle to heaven’, the sweets and chocolates section. As usual the child says,"I want chocolate". And the drama begins. At first the child simply states his or her desire. When the parent refuses as they often do, the child begins to whine and whimper,"I want chocolate". Again the parent refuses and the child escalates the desire to a demand,"I want chocolate". (Gee, parents are stubborn.) The child begins to cry,"I want chocolate". And finally the child makes such a drama that the parent is humiliated in front of the all the supermarket shoppers. "I WANT CHOCOLATE!" How could you refuse? At any point in the drama the parent could just reach for the chocolate and hand it to the child, pure bliss. The tears would change to smiles and laughter. What a transformation! The child wanted chocolate. The child uses strategy to achieve the goal. The strategy is not the goal. From the Gestalt view, the child creatively adjusts his or her method of coming in contact with the parent in order to achieve the goal, the satisfaction of mouth watering sweetness. Satisfaction and withdrawal complete the Gestalt and anything less than that is unfinished business. "Our awareness of the present will be influenced by the incompleteness of our past experiences. "We need to complete our experience before we can withdraw our energy from it" (Sills, Fish & Lapworth, 1996 p. 70).

 

Similarly as I live my life, knowingly or unknowingly, I have a goal. I adopt strategies to achieve my goal, to fulfill my thirst for limitlessness. In the perspective of the awareness cycle as a pillar of Gestalt, dharma is in my ground. This thirst, the desire for limitlessness is in my ground. That desire brings forth a figure, for example, chocolate. I want chocolate. The figure is clear. Chocolate is what I want. I put my energy behind it. I move toward the shop, put my hand in my pocket and ask for chocolate. When I put the chocolate in my mouth I experience some satisfaction, rather enjoyment. On the micro-level, I may say that I have completed my Gestalt for chocolate. However it is not"complete". On the macro-level, my spiritual Gestalt has not been fulfilled. My thirst for limitlessness has not been fulfilled. I have only enjoyed chocolate. And I will continue the same cycle in relation to chocolate, repeatedly. I am in an ‘I-it’ relationship with chocolate.

 

This cycle of repetition is called ‘samskara’ in Ananda Marga or"the psychoanalytical principle of the repetition compulsion" (Sills, Fish & Lapworth, 1996 p.72). Mantra has two effects. Mantra causes me to experience the various stages of ‘I-Thou" as explained previously. Also mantra causes my samskara—unfinished business—uncompleted Gestalten to bubble up in my mind, to become clear figures. Now what am I to do with the figures that arise? Samskara means the seed for the expression of a desire which causes me to repeat an action again and again until it is satisfied. When any desire in a physical, mental or spiritual dimension is understood to be only a limited expression of my thirst for limitlessness and when that desire is filled full with limitlessness and not other temporary enjoyments, the cycle will be complete. The desire for chocolate is transcended when the desire for chocolate is experienced as actually the thirst for limitlessness expressed in a limited way.

 

My mind has thousands of these unfulfilled experiences or samskara’s. Whatever I did on the physical, mental or spiritual level in my life was only to complete my unfinished business, to fulfill my thirst for limitlessness. When I finally quench my thirst for limitlessness I will have completed my life’s Gestalt. It is the final satisfaction, the ultimate resolution of my life’s goal, my spiritual Gestalt. However all of my micro-Gestalten or samskara’s, like the child in the supermarket, will be demanding attention along the way. How do I move my relationship from the ‘I-it’ relationship to the ‘I-Thou’? Here, in particular, is where we see the practice of meditation as an individual practice in Ananda Marga and the psycho-therapeutic process of Gestalt compliment each other. This is the focus of the workshop or in gestalt terminology, the experiment or intervention.

 

It is the tendency that when unfinished business arises in meditation, the meditator will try to replace the thought with the mantra. Rather using the Gestalt concept of the paradoxical theory of change,"change occurs when one becomes what he is, not with what he is not" (Beisser, 1970 www.gestalt.org/arnie.html). When unfinished business arises in meditation, I stay with ‘what is’, the unfinished business. I do not try to move on to what is not by grasping for the mantra to save me from my thought. Mantra helps me to stay with what is, not to try to change anything or move on to something else. I sit with what is now, allowing the mantra to do whatever it does.

 

The Experiment—Mantra as or in Therapy
What and How

Experiment is one of the pillars of Gestalt. Zinker describes the experiment as the cornerstone of experiential learning. This experiment allows a person to increase his or her range of awareness and self-understanding, to broaden his or her repertoire of behavior in a variety of life situations (Zinker, 1977 pp. 125-126). The process which follows is an experiment in the practice of meditation and in relation to unfulfilled Gestalten, unfulfilled experiences or samskara in daily life.

During the last two years I have been traveling to United States, Europe and Asia to conduct what I have called ‘mantra therapy workshops’. This is the experiment that you see in the video presentation. 224 individuals have attended these workshops—25 in Australia, 22 in Europe, 52 in Asia, 125 in the U.S.A. The format is the same yet the content differs with each person. It is a group process, yet it is individual. It is a container for an individual’s intimacy with his or her unfinished business, unfulfilled Gestalten. It is a safe place where people faced with uncomfortable inner conflicts find support from strangers and friends in meeting their inner ‘selves’. Everyone who attends knows the workshop uses mantra.

 

When anyone has a challenge, an issue, a complex experience, there are four ways to deal with it. We either express it, often indulging in the problem (whining, overeating). Or deny we have a problem (everything is fine, I am not an alcoholic). Or we suppress our feelings (I shouldn't have this feeling, this is not what is supposed to be happening). In all of these cases we feed our own energy into the problem causing it to grow brighter, stronger, and louder. However, in mantra meditation we channel the energy inherent in the mantra to the problem leading to resolution. In the perspective of Gestalt, mantra activates the awareness cycle brings the figure, mobilizes contact and brings the individual to resolution.

 

As people arrive for the workshop, they hear the music with Baba Nam Kevalam in the background. I have a small essence oil burner in a corner of the room. There are some refreshments to drink while people are arriving. Needless to say, I take my time in the initial meeting to establish a safe environment. I make it clear that whatever happens in the room is confidential and regarded with dignity and respect. I prepare the ground.

 

During the first hour, I create rapport. I introduce myself and encourage everyone to introduce themselves when they feel comfortable to do so. I suggest two scenarios to give some impetus to the introduction. "If the local newspaper had a headline about you, what would it say?" "If you were god or goddess, how would you like to be worshipped?’ The questions are humorous and serious giving the participant plenty of space to answer as they see fit. I introduce myself first so that people get a bit of an idea what they might say. I may use a fluffy toy animal for people to hold as they introduce themselves. Then I introduce the theory behind the workshop. It is similar to what I have written in this paper, however in colloquial language.

 

In the second hour I introduce the three components of the mantra, the phenomenological, the conceptual and the relational. After each component is introduced I ask the group to sing along with me to experience the mantra personally. We sing the mantra three times for five minutes. After each five minute segment, I ask them to report what was their experience. I am not asking for interpretation, just experience, another important aspect of Gestalt. This part of the workshop is to allow the participants to get some idea of what the mantra is. We will have to use this experience in the next part of the workshop as you have seen in the video. .

 

In the third part of the workshop I introduce the experiment. I ask the participants to sit in a circle. The number of participants varies, however I like to keep the number at fifteen or less, not less than five, (although I have conducted this process with a single individual with the similar results). With all the participants seated in a circle I explain that each one of us, if they so desire, will get up from their seat at the boundary of the circle and sit in the center. I make sure that everyone feels that this is a voluntary decision which they will make as they feel comfortable to do so. I want the participants to feel safe in doing the experiment. I will act out the procedure myself so that people are clear what they are to do. As each person sits in the center of the circle facing their empty chair, they will embody whatever unfinished business that arises from their ground. I explain that we do not want to know the issue. In the present moment it is their private information. Perhaps they will express their issue in reporting what happened after the singing.

 

The duty of the other participants at the boundary of the circle is to sing the mantra experiencing the vibration or sound of the mantra, holding their own concept of divinity and being aware of their own personal relationship with their concept of divinity. I ask them to sing to the person in the center of the circle. We sing to the person for five minutes. This is also demonstrated in the video.

 

After we have finished singing, I move from my own seat at the periphery of the circle to a place adjacent to the empty chair of the person sitting in the center of the circle. This is where my training in Gestalt therapeutic process takes a front seat. Putting on my therapist’s hat, I make every effort to be present, curious and to be with the person. I wait for the person to open their eyes when they are ready.

 

Then I ask them,"What happened?" I continue a dialogue with the person for approximately ten to fifteen minutes. I want to know what they experienced while sitting in the center of the circle. What did they feel in their bodies and where? What happened to the issue, the figure that they embodied? How old do they think they are as the figure? Embodying their unfinished Gestalt or unfinished business, I want to know how they responded to the mantra. How did the issue unfold and what occurred? Did any other figures arise?

 

I ask the person to enter into a kind of dialogue with the empty chair which facilitates contact with their ‘selves’ and integration of polarities. I might say to the person in the center of the circle,"so and so has been having difficulty with you for some time". "What do you want from so and so who is sitting in the empty chair? What can so and so do for you that she or he has not been doing?" I then ask the person still sitting in the center of the circle if they want to say anything more. If not, I ask them to return to the empty chair.

 

When they return to the empty chair I ask the person,"How would you like to reply to the issue or figure that spoke to you just now?" I also ask them to tell me how they experience being back in their place in the circle and what is the difference, if any, between being in the center of the circle and their own chair. It is a very dialogical aspect of the workshop, facilitating awareness and exploration. All the possible questions that might arise would not be possible to include in this paper. As the members of the circle each take their turn to sit in the center of the circle, I am able to promote expression to facilitate their acknowledgement of what is happening for them as they participate.

 

When everyone has completed their turn in the center of the circle, I close the workshop in a variety of ways. I may ask the group to stand and form a circle. I ask them to place their hands on the back of the person in front of them. Then I ask them to sing the mantra imagining that they are sending the energy of the mantra to the person in front of them. Or I ask them to hold hands in a circle and imagine the energy of the mantra passing through their right hand to the person on their right, receiving the energy in their left hand from the person on their left. In this way they imagine that the energy of the mantra is moving around the circle continuously. We collectively acknowledge and savor the ‘I-Thou’ relationship, the contact between us all as we leave the workshop and withdraw. It is a way to honor or to savor the healing container that we have collectively co-created.

 

Some Responses from the Participants

Whenever and wherever possible I follow up on how previous participants are using the process in their everyday life. At the end of the video there are several people from USA who answer questions about their experience during and after the experience. The questions that were asked in the video taped interviews are included in the appendix. Here are a few examples of participants’ responses.

 

From the participants in the video:

A 39 year old third year male originally from the UK studying at the Northern Rivers Gestalt Institute said,"I experienced powerful responses when singing towards other participants. Sometimes I experienced my responses somatically, sometimes as cognitive realisations and sometimes in the form of imagery and metaphor. I perceived a strong sense of the co-created field and as I took my turn in the centre I was deeply moved by the voices and intent of the other participants. During their subsequent feedback I was touched by the relevance of their response to me. Imagery had spontaneously arisen in the minds of others which ‘overlapped' experiences from my own field and the group seemed to be working for each other. I felt a deep sense of support which I took away with me and which I have been anchoring in my body by singing the Mantra."


A 38 year old fourth year female student at the Northern Rivers Gestalt Institute said,"The process allowed me to experience my issue (body pain) as its own entity and by doing so I was able to find compassion for that part of myself. This compassion led to a visual experience where I contacted my inner knowing and strength allowing me to let go of any expectations of my pain and sit with what is/was. This was liberating!"

 

A 35 year old second year male with a physical disability studying at the Northern Rivers Gestalt Institute said,"I had a great time and I appreciated the power of the mantra. I felt so inspired, full of bliss and the feeling of oneness. I felt so safe and loved sitting in the middle of the group. My resistance was short lived as the chanting began. I enjoyed how you brought both worlds together, and brought the ‘I-Thou’ into contact. I feel spirituality keeps the divine alive and my own experience of Gestalt is that it needs more ‘I-Thou’ to enrich the therapeutic process. I thought you blended the two very well."

A 59 year old woman born in Germany and now a resident of Australia studying in the 3rd year at the Northern Rivers Gestalt Institute said,"When I sat in the circle and everyone chanted, I felt a great pressure building up in me to the extent that I could only cry to find release. I realized that I did not take love in very well, while I was blocking the flow by wanting to hold on. Then I stopped holding and the energy vibration of love, song, and chant went through me. I felt as though I was porous. I received the energy and passed it back into the circle. In this process I felt greatly nourished, and was so blissed out that I was convinced I was enlightened forever."

 

From the overseas participants:

A 32 year old male musician from Italy now living in Norway expressed,"The experience was overwhelming. Previously I didn’t know it was possible to experience a physical effect. People were chanting this mantra and it was possible to feel the effect physically, emotionally, perhaps I can say it was like some positive energy was coming inside."

 

A female psychologist in community development from New York says,"I am not sure if this happened then and there or over the process that followed the workshop, but the distance between the 35 year old me and the 4 year old me is diminishing, if there is a distance at all at this time."

 

A 19 year old male diagnosed with asperger’s syndrome from California says,"It reminded me that I am not alone."

A 56 year old businessman from Madison Wisconsin says,"As a result of the process I had more acceptance of my issue, my disowned part. It made it easier to plug into internal spiritual resources."

 

A 31 year old teacher from New Paltz, NY says,"The process reaffirmed what I already knew about surrender, encouraged me to embrace and not suppress my fears and showed me practically the power of mantra and ideation in meditation."


Conclusion

In this paper I have discussed how Ananda Marga spiritual practices and Gestalt are complimentary, using elements of phenomenology and the awareness cycle, dialogue and relationship and experiment. The explanation and demonstration of the use of mantra is both phenomenological and relational. Awareness is a mutual concern for Ananda Marga and Gestalt. Yearning for limitlessness and longing for the Thou are fundamental to Ananda Marga and Gestalt as expressed by Anandamurti and Buber. Mantra represents the relationship between ‘I’ and ‘Thou’. The awareness cycle is another medium to show the various relational stages of spiritual intimacy. I have explained that the complete experience of Yoga occurs when ‘I’ is ‘Thou’ or ‘Thou’ is ‘I’, perhaps the ultimate Gestalt, the completion.

 

I have demonstrated how mantra causes samskara—unfinished business—uncompleted Gestalten to bubble up in the mind, to become clear figures. In the video of the experiment, I have demonstrated how Gestalt process and Ananda Marga spiritual practices enhance each other allowing the participants to expand their range of awareness and self-understanding, to broaden their capacity to take care of what arises in the practice of meditation and in relation to unfulfilled Gestalten in daily life. I have shown how Gestalt process and Ananda Marga meditation compliment each other in facilitating contact, the experience of the divine touch, the embrace. The workshop is a container for an individual’s intimacy with his or her unfinished business, unfulfilled Gestalten. Whatever is, is an expression of the ‘I-Thou’ experience.


“In every sphere in its own way, through each process of becoming that is present to us we look out toward the fringe of the eternal Thou; in each we are aware of a breath from the eternal Thou; in each Thou we address the eternal Thou" (Buber, 1987 p6).

 

Appendix

QUESTIONS

1. What was your experience with the mantra as sound? Where did you experience the mantra in your body?

2. How did the experience of the mantra enhance, change or deepen your idea or concept of Divinity, Higher Power or Baba?

3. How did the mantra experience enhance, change or deepen your relationship with Divinity as you conceive Him, Her or It to be?

4. What was your experience as you sat in the center of the circle receiving the mantra from others?

5. What happened to the issue, difficult experience or unfinished business that you brought to the center of the circle as you received the mantra from others?

6. How did the dialogue with Dada help to make you more aware of your issue, unfulfilled experience? How did it help to make you more aware of your relationship with your issue, unfulfilled experience?

7. How did the experience of being in the circle change, facilitate or give insight into your unfulfilled experience or issue? Was a resolution or direction clarified as a result of your sitting in the center of the circle?

8. What was your experience of giving, singing the mantra to others who sat in the center of the circle? How did it change your relationship with them?

9. How do you continue to use the experience, the process in your spiritual practice and your daily life?

10. What kind of support would you need now to continue the process and take care of other issues that arise as a result of your life process and spiritual practices?

 

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Acarya Pranakrsnananda Avadhuta